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Carved boxwood lotus Ruyi scepter in single-piece Chinese boxwood with full lotus motif in high relief, approximately 19.5 x 6.1 x 4.7cm. A classical Chinese court and gift object associated with fulfilled wishes, hand-carved with a low matte finish that deepens with handling.
A carved peach wood Ruyi scepter from China, presented historically as a gift among officials and associated with fulfilled wishes.
Ceramic backflow incense burner, hand-finished in stoneware or porcelain with hand-applied glaze, available in heights from 10 to 22 cm depending on model, compatible with standard backflow incense cones. Rooted in the Song and Ming dynasty scholar’s studio tradition, each piece varies slightly in color and finish due to hand-glazing.
Fine-glazed ceramic monk figure, cool and smooth in the palm. An East Asian symbol of simplicity and early spiritual development.
A ceramic Guanyin figure in the Chinese Buddhist tradition, the Bodhisattva of Compassion rendered with quiet composure for altar or home use.
A hand-formed earthenware ceramic harmony crab with a two-tone amber and cream mineral oxide glaze, approximately 15cm wide, 8cm tall, and 400 grams. Rooted in the kiln traditions of Guangdong and Fujian since the Tang dynasty, the crab is an auspicious symbol of achievement and lateral fortune in Chinese culture.
A lotus-form incense holder that collects ash in its carved petals as smoke diffuses, drawing on Buddhism’s enduring image of renewal.
Ceramic Maitreya figure in the rounded, smiling style of Chinese popular tradition, widely associated with contentment and good fortune.
Ceramic stacked-stones backflow incense burner, hand-formed in layered glazed stoneware, measuring 19.5 x 8.6 cm and weighing 400 grams, with a sculpted stone arrangement and base basin for smoke collection. Compatible with backflow incense cones only, it is equally suited to use as a small decorative planter.
Chakra precious stone bracelet with seven natural gemstones including amethyst, lapis lazuli, green aventurine, citrine, carnelian, and red jasper, each bead approximately 8 mm on elastic thread. Handcrafted in Tibetan and Indian artisan tradition, each stone sourced individually for depth of color.
Deep lacquer set with mother-of-pearl cherry blossoms, in a Chinese craft tradition refined during the Ming and Qing dynasties.
Solid copper and cloisonné enamel box, made in Beijing using the imperial cloisonné technique. Hand-soldered copper wire cells, mineral enamels fired at 800°C. Several weeks of skilled labor per piece.
A cloisonné bracelet built from fine metal wire and powdered enamel fired to a glassy finish, in a technique brought to China during the Yuan dynasty.
A cloisonné piece in the Ming-dynasty Beijing tradition, with vivid enamel colors fixed permanently within fine copper wire partitions after firing.
Complete Chinese gongfu cha ceremony set with porcelain teapot, tea strainer, fairness pitcher, 4 teacups and tea tray. Designed for multiple-steep Chinese tea rituals. Pairs with Da Hong Pao, Tie Guan Yin, Jin Jun Mei and Pu-erh.
Miniature hand-painted Chinese snuff bottle in blown glass with inside-painting technique, jade-green glass stopper, polished flat foot, approximately 7 cm tall and 3 cm wide, with mineral pigment interior painting from Hebei Province. A Qing dynasty collectible tradition for desk, shelf, or cabinet display.
Miniature hand-painted Chinese glass snuff bottles with agate or stone stoppers, 6 to 8 cm tall, each interior-painted through a 2 to 3 mm opening in the Qing Dynasty tradition continued in Hebei and Shandong provinces. Each bottle contains a unique painted scene — a complete art object in miniature.
This Chinese Jewelry Box in Mother-of-Pearl and Lacquered Wood is a refined piece of traditional Chinese craftsmanship. Hand-inlaid mother-of-pearl adorns a lacquered wood exterior, making it an ideal choice for storing cherished jewelry or as an elegant decorative accent.
Chinese lacquered wood bride jewelry box in hand-applied red lacquer over solid wood with linen underlay, a traditional bridal figure in low relief on the lid, and a fitted interior clasp. A ceremonial storage box drawn from the Fujian dowry lacquer tradition.
A Chinese jewelry box in lacquered hardwood with hand-inlaid marine mother-of-pearl, made using the luodian technique practiced in Fujian workshops for more than a thousand years.
Chinese lacquerware box with layered resin finish and hand-carved peony motif, a craft tradition spanning over two thousand years.
This Chinese Rosewood Box, crafted from solid Dalbergia timber, features hand-carved details and traditional joinery. Its exceptional density ensures durability, making it perfect for storing jewelry or cherished keepsakes.
Chinese rosewood box in Zambian red sandalwood (Pterocarpus chrysothrix), mortise and dovetail construction without adhesives, beeswax finish, naturally fragrant. Approximately 20 x 12 x 8 cm, 600 g, handcrafted using traditional Chinese joinery.
Our Chinese Sandalwood Fox-Shaped Hair Pin, hand-carved from genuine fragrant sandalwood, features a charming fox motif. This exquisite piece of personal adornment offers a unique way to carry a rich lineage of Asian artistry and myth into your daily life.
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